[ Reading ] ➷ Creative Sequencing Techniques for Music Production: A Practical Guide to Pro Tools, Logic, Digital Performer, and Cubase Author Andrea Pejrolo – Tactical-player.co.uk

Creative Sequencing Techniques for Music Production: A Practical Guide to Pro Tools, Logic, Digital Performer, and Cubase An Inspirational Guide For All Levels Of Expertise, Creative Sequencing Techniques For Music Production Shows You How To Get The Most Out Of The Four Leading Audio Sequencers, Logic, Pro Tools, Digital Performer, And Cubase Using Real Life Examples, Andrea Pejrolo Demonstrates A Wide Range Of Technical And Creative Techniques, Giving You Tips And New Ideas To Help You Take Your Work To The Next Level If You Are Producing Music And Looking To Build Your Skills In Orchestration, Composition, And Mixing You Will Find All The Techniques And Practical Advice You Need In This Book Featuring Essential Tools, That Are Now Part Of The Everyday Creative Process In A Digital Production Environment, To Give You The Most Recent And Cutting Edge Techniques Including Swipe Comping, Time Stretching, Pitch Correction, Elastic Time, Advanced Freezing, And New Software Synthesizers The Material On The Website Contains Loops, Templates, Audio Examples, And End Of Chapter Exercises To Practice New Skills, This Illustrated Practical Guide Provides All The Tools You Will Need To Give Your Music The Vital Edge Whether You Are A Student Or Amateur Aspiring To Professional Results, Or A Professional Wanting To Master New Skills, This Book Will Help You To Improve And Take The Quality Of Your Work To The Next Level Covers All Key Sequencing Topics Such As Recording And Editing Techniques And Automation Groove Quantization, Converters, Sounds Layering, Tap Tempo, Creative Meter, Tempo Changes, And Synchronization Teaches Mixing Techniques That Takes Advantage Of Plug In Technology, Maximizing The Use Of Effects Such As Reverb, Compressor, Limiter, Equalizer, And Much A Website Loaded With Than Examples Of Arrangements And Techniques, Giving You Advice On How To Troubleshoot Those Common Mistakes And Perfect Your Music Production This is a densely packed, beginners moving to advanced book on how to set up your computer and software using Cubase, Pro Tools, Logic and Digital Performer to create a digital audio workstation DAW A DAW gives you the ability to record music from external sources like a guitar to your computer As well as record, you can create music entirely within the software using its built in instrument sounds The author starts with information on hardware requirements, technical information, setup and types of software Along the way, the author injects a lot of practical advice on the best ways to creating digital music One annoyance is that the book is written with 4 different pieces of digital audio software in mind Many paragraphs are interrupted to show how a procedure is handled by each of the different software brands, breaking the flow Also, no mention of what software versions are being used which could lead a beginner to confusion if his version was different I m finding that, at least for Cubase 5, some of the procedures and menu items are outdated There several exercise questions at the end of each chapter, however, there are no answers given There is a companion website with videos tutorials and example loops that you can download and use in your DAW.Not a perfect book, but none the less, it has valuable information for the computer musician I recommend it. Pejrolo teaches at Berklee and his books are geared towards composers and arrangers of jazz, classical ensembles and film scores He speaks to you as a fellow composer addressing musicians comfortable with traditional notation and instrumentation who perhaps view MIDI composition and production with the goal of emulating their analog experience rather than experimenting with abstract sound as often heard in electronic dance music.I realize that s a generalization on both sides there s certainly plenty here for someone interested in dance music and there are non commercial composers very interested in abstract sound My point is the audio examples you can download from the book s website and Pejrolo s point of view are not coming from the DJ Remix Club orientation that other MIDI production books I ve read take for granted.A couple of examples The book goes into considerable detail on how to produce tempo changes often found in orchestral scores than in dance tracks rallentandos, accelerandos, etc When discussing how to layer MIDI and audio tracks to create richer composite sounds Pejrolo s example enhances the initial attack of a phrase built from an orchestral string library by layering a recorded solo string track over it.A key point the author makes throughout the book is that contemporary composers using technology to achieve an individual expressive voice have to seek out the flexibility beyond presets and basic techniques The tools should serve your ends, not the other way around.Where other books present quantization as a one size transformer to be applied to an entire track, Pejrolo drills deeper by demonstrating parameterized quantization filters that allow you to alter events occurring at particular moments or within designated pitch ranges, leaving the remaining material untouched or perhaps transformed in a different way Once you understand and apply some of these techniques it s easy to see the potential for richer, varied and humanized textures and grooves.The primary focus of Creative Sequencing Techniques is MIDI production and there s not a lot of material on audio recording techniques There are however both basic and advanced techniques you can apply to audio post tracking such as audio editing, creating grooves from audio, pitch control and time stretching Granted, some of these techniques were cutting edge in 2005 when the book first appeared than they are today, but in my experience they re still often ignored or shortchanged in other books.The chapters I think really distinguish Creative Sequencing are Elements of MIDI Orchestration which, by the author s own admission, is essentially an overview and intro to his other book, Acoustic and MIDI Orchestration For The Contemporary Composer , co written with Richard DeRosa which I d highly recommend as a sequel for those interested in scoring.The other is the final chapter, Working with Video , a surprisingly informative introduction to digital film scoring using both linear and non linear video source formats The level of detail far surpassed anything I d read elsewhere, where this subject is often treated as an afterthought.I do have to mention a not entirely successful feature of Creative Sequencing Techniques that centers around Pejrolo s belief that aspiring professionals should have what he regards as the big four DAWs under their fingers namely Digital Performer, Logic Pro, Pro Tools, and Cubase while the list appears unchanged from 2005, there may now be some room for debate as to whether these are still all you need to know.But the problem I have as a reader is not so much Pejrolo s choices I use Sonar and Cubase so I m in the ballpark , it s the format of the book that amounts to a 4 in one tutorial.Each topic is first presented generally, followed by separate paragraphs or sections identified by the DAW shortcuts DP , LP , PT and CU and their corresponding icons in the margins.I think this compresses the coverage of individual DAWS in a way likely to confuse someone not already fluent with the software Pejrolo hopes the book will be useful to all levels of experience but it s hard to imagine learning all you need to know about for example Pro Tools from this book no matter how fluent in Cubase you happen to be.As well, if you re not an aspiring professional and have one or two favorite applications you re looking to get the most from, the constant litany of, In CU you apply the filter like this, in PT it s done this way, In DP, etc , got to be so distracting and repetitious that after a while I found myself skipping right to the Cubase parts.This doesn t negate the value of the book by any means, but I d recommend Creative Sequencing Techniques as an advanced supplement, keeping your books and tutorials written for your specific DAW close at hand.If you re already very experienced, be patient with the first 70 pages or so on setting up a project studio, MIDI, and equipment The book ramps up fairly quickly from there.Overall I found Creative Sequencing Techniques both informative and refreshing in a genre weighted heavily towards dance music production where books often lack the perspective of those who write traditional styles of music. This book is an introduction to creating music from electronic sources, especially for composers and home studio musicians Pejrolo teaches music technology at Berklee College of Music in Boston In this book, he provides an in depth overview and introduction to music sequencing Topics covered include studio setup and equipment, basic, intermediate and advanced sequencing techniques, MIDI orchestration, mixing, and working with video With its extensive chapter summaries and selected exercises at the end of each chapter, the book could be used as a text for sequencing courses In the text, Pejrolo focuses on general concepts, and then provides concise instructions and or screen captures for each of the 4 most used sequencing software packages, Pro tools, Logic, Digital Performer, and Cubase Audio clips to accompany the text and exercises can be downloaded from the book s website.I found this book to be a very approachable introduction to sequencing When writing on sequencing, many authors tend to get bogged down in technical details, and the art gets lost entirely Pejrolo explains what you need to know, then provides instructions about how to dive in and complete the task He puts an emphasis on making your final product sound natural, and points out common errors to avoid You don t need to be either a computer expert or conservatory trained musician to make sense of this book, but the text does assume a working knowledge of the basics of music theory, such as intervals, frequencies, and rhythm The book is well geared toward composers, especially those writing for film or software, but would also be great for home studio folks who would like to try adding some sequenced tracks to their recordings.

About the Author: Andrea Pejrolo

Is a well-known author, some of his books are a fascination for readers like in the Creative Sequencing Techniques for Music Production: A Practical Guide to Pro Tools, Logic, Digital Performer, and Cubase book, this is one of the most wanted Andrea Pejrolo author readers around the world.

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