Hitler's Last Hostages: Looted Art and the Soul of the

Hitler's Last Hostages: Looted Art and the Soul of the Third Reich Hitler s Last Hostages Looted Art and theNotRetrouvez Hitler s Last Hostages Looted Art and the Soul of the Third Reich et des millions de livres en stock surAchetez neuf ou d occasion Hitler s Last Hostages Looted Art and the Soul of Hitler s Last Hostages Looted Art and the Soul of the Third Reich Mary M Lane, Mary M Lane, Hachette AudioLivresHitler s Last Plot TheVIP HostagesNotRetrouvez Hitler s Last Plot TheVIP Hostages Selected for Death in the Final Days of World War II et des millions de livres en stock surAchetez neuf ou d occasion Hitler s Last Hostages Looted Art and the Soul of Hitler s last hostages refers to artwork and other rare and beautiful items that the Nazis looted during their occupation of much of Europe, which we are starting to learnabout through the efforts of people engaged as Monument Men during and after WWII The sheer numbers of things looted and hauled around Europe to fill the museums, homes, and government buildings of the Nazi leadershipHitler s Last Hostage C SPAN Mary Lane talked about her book, Hitler s Last Hostages Looted Art and the Soul of the Third Reich , in which she recalls Nazi efforts in the s to repress artistic expression and remove work


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14 thoughts on “Hitler's Last Hostages: Looted Art and the Soul of the Third Reich

  1. bilb-weil.de Customer bilb-weil.de Customer says:

    This is really 2 stories One is about Gurlitt, the man tasked with building Hitler s art collection Whilst confiscating priceless works of art from museums, galleries and personal collections throughout Germany for the Fuhrer, he also bought hundreds of the art works at knock down prices for himself and passed his collection on to his heirs This story has been widely publicised since the German police revealed the whereabouts of Gurlitt s personal collection in the hands of his reclusive and eccentric son, but the author s extensive researches bring the events to life although there are few new facts revealed in the book.The other story is about the German expressionists, in particular George Grosz It is not clear why she chose to focus on this artist, but this is the less successful part of the book and is quite tedious in places Neither biography nor art history.


  2. alison alison says:

    great shape arrived quickly and will be a great christmas gift


  3. bilb-weil.de Customer bilb-weil.de Customer says:

    I realized how little I knew of Hitler s plans for the Fuhrermuseum This well researched book taught me a lot and confirmed Hitler was a deranged dreamer to the end The last day of his life, art was the main topic on his mind Lane into detail on Hitler s explanation of degenerate art and Hitler s mandate that it be confiscated, much of it sold to raise funds to be used for the Fuhrermuseum or his war effort The heart of the book is about art dealers and the reason for the 2012 raid of the apartment of the son of WWII German art dealer Hildebrand Gurlitt where over 1,000 art pieces were unexpectedly found Lane also has detailed and very informative descriptions of other well known art dealers of that time, their dealings, and how they tried to protect their collections And she tells the story of the lives of famous artists during and after the war, focusing mainly on George Grosz and the effect the war had on him and his art The German Government does not come across as pro active in trying to return looted artworks, even today Art aside, other aspects of Hitler s war and his desire for a pure Aryan society are chilling, and she intersperses them very effectively As an example, during a social evening the daughter of Hitler s official photographer, turned to Hitler and blurted out, My Fuhrer, I saw a train full of deported Jews in Amsterdam the other day Those poor people they look terrible I m sure they re being very badly treated Do you know about it Do you allow it After an awkward silence, Hitler stood up, said goodnight, and left the room.


  4. David David says:

    WW2 history is well known, but this book brings to light ongoing turmoil that proves the war continues for many This well researched book doesn t just highlight a legal issue, but a moral issue, and the overarching theme is the banality of evil The book follows the history of the lesser known cultural policies in the Nazi regime, the choices people have to make when faced with evil, and ultimately makes the reader reflect what we do, or don t do, today that may allow tragedies of history to repeat itself.


  5. l. Litz l. Litz says:

    Buy this book This is a fascinating history of Hitler and art and how his obsession led to the systematic pillage of Europe s art, and how even at the end of the Reich, with Berlin in ruins, Hitler s priority was to enlarge the collection he hoped to install in a monumental museum in his hometown of Linz, Austria It is the story of the greed and opportunism of a small group of art dealers who literally made a deal with the devil and enriched themselves by ingratiating themselves with Hitler and profiting from the murder of European Jews it is the story of artists like George Grosz, who warned Germany and the world of Hitler s evil as he rose to power, but whose message was ignored and whose art was declared degenerate by the Nazis What is most powerful in this extremely well written history, though, is that the story of Hitler s last hostages is still alive today It lives in the refusal of the German government to come to terms with the Reich s legacy of stolen art, much of which remains hidden in private collections, protected by an irrational statute of limitations that prevents the owners and their heirs to restitute their stolen property The author cites an essay by Max Beckmannn in which he explained how apolitical people tended to fall prey to the ability of governments to legalize moral injustices That, indeed, is exactly what the Nazis did, and it is exactly what the German government is doing today with regard to the un restituted art that Hitler and the Nazis stole The sad truth is that Hitler s last hostage may be the soul of Germany, which remains darkly stained as long as this moral injustice continues Wonderfully written, well researched, this is an important addition to anyone interested in understanding the role that art played in the tragedy and legacy of Hitler and the Nazis.


  6. Nick Nick says:

    Mary Lane did a fantastic job bringing to light the ongoing recovery of WWII stolen art and the lasting affects these missing pieces still have on the families they ve once belonged to This is clearly well researched and written with passion for art and humanity I learned so much than I ever did school about WWII I can t to see what the author writes next.


  7. Sue Radom Sue Radom says:

    Well written, historic account of missing,looted works of art Great read


  8. Laska Laska says:

    Interesting story But, this author reads her own work The book would have been much better have been read by a professional performer Her voice drops, phrases are run together Very distracting, frustrating.


  9. James Strock James Strock says:

    Mary M Lane, a journalist with deep background in both art and German history, has written a memorable book, Hitler s Last Hostages Looted Art and the Soul of the Third Reich It s often overlooked or forgotten that Adolf Hitler s worldview was in large part built on his identity as an artist This had numerous consequences This book focuses on one the chain of deceit set off by the Nazi regimes plunder of artwork from Germany and occupied countries.One becomes accustomed to book titles or subtitles that make larger claims than can be sustained by the underlying work Lane s assertion that looted art touched the soul of the Nazi regime is entirely supportable As with everything else in that criminal regime, Hitler himself was the hub of the spokes.Attainng the knowledge and insight required for this book, then organizing it into a compelling, accurate narrative, is no small feat Lane accomplishes all that Her writing is accessible and painstaking.Just as Hitler is at the center of the tale, so is the German culture from which he sprang, and which he commandeered Lane tells the tales of numerous individuals before, during and after the Nazi regime Her melancholy conclusion is that the work of restoration and redemption is by no means complete Hopefully her smart book will spur action.


  10. C.G. C.G. says:

    I find the era of WWII to be continuously fascinating There s very little I won t read or watch on the subject Among that era, Nazi Germany plays a very large part in my fascination I ve known for many years the huge part art played in Hitler s life but many don t.Many have a vague understanding that Hitler was a failed artist Or, if one wishes to be kind, a thoroughly average artist However, many simply have no idea just how far and deep his obsession with art went, throughout his entire life Or, how his failed attempt at being an artist, directly led to many decisions he made which later drastically altered history.To say art was but a minor aspect of Hitler s life is to completely misunderstand the man It absolutely consumed him at times.When Hitler rose to power, he systematically sought to recreate the world around him to fit his narrative his reality Among his endless systematic conquests to create a world in his vision, was that of art.He and his many subordinates seized art at their every whim Sometimes, it was done to amass wealth Other times, to rid Germany and Europe of those who they perceived to be a threat or art they saw as unfit Yes, Hitler perceived a great deal of art as well as the artists who created many pieces, to be a threat and of course all of it had to be eliminated, or hidden, or abused.This book covers Hitler s and his underling s attempts to control the artistic narrative to enrich themselves to collect whatever they wanted to destroy whatever they wanted to achieve their systematic goals to alter history to their standards and views.To say this book absolutely nails this aspect of the history of Hitler and Nazi Germany, is an understatement.I won t provide much detail for those who don t know a great deal about this aspect of Hitler s life, but it s not only a worthy read, it s an important one.Anyone who s interested in WWII, European history, art, Hitler, or Nazi Germany, will very likely enjoy this novel a great deal I enthusiastically recommend this novel and suggest you read it.Cheers


  11. Shana Shana says:

    This is a very good history of Nazi confiscation of art after Hitler, who was a failed artist but retained his interest in art, came to power One of the main focuses is the history of a man whose father confiscated degenerate art art done by Jewish artists, etc for the Nazis he collected over a thousand paintings, then died and left the collection to his son until tax authorities discovered the collection and the artists families began trying to get it back This is a disturbing account of how German authorities, to the modern day including Angela Merkel , have tried to obstruct this process and how their desire to bury any discussion of the holocaust interfered with the ability of the families to recover their art.The author is an art historian who has written a well researched, interesting book about a critical but relatively unknown issue still being grappled with decades after the end of WW2.Recommend, especially if you re interested in art history, German art history, or Jewish art history or the lost relics of WW2.


  12. Maine Colonial 🌲 Maine Colonial 🌲 says:

    I think anybody who knows anything about Hitler knows that he was a failed artist and that he retained an interest in art and architecture even during World War II Some may also know about the Nazis exhibitions of so called degenerate art, contrasted with their notions of beautiful Aryan art In this deeply researched book, Mary M Lane tells us the history of Hitler s art obsession, the Nazi regime s treatment of art and artists, and follows right through to the failure of 21st century Germany to deal adequately with Nazi Germany s theft of thousands of artworks.Lane s chief focus is on how the Nazis used their power to confiscate art from degenerate artists, Jews and artists fleeing Germany, conquered countries, and so on Hildebrand Gurlitt, who supposedly was an anti Nazi, quickly convinced himself that he should work for the Nazis and, through that role, he accumulated over a thousand works of art that he kept for himself and then left to his son, Cornelius It was only in the last decade that anything at all was done to recover those artworks and, even then, it was for the purposes of collecting taxes that the Gurlitts had evaded by concealing the art.In the last 50 or so pages of the book, Lane describes the attitudes of contemporary German bureaucrats about the difference between law and morality, and their insistence on focusing only on the former, which led to foot dragging on restitution Lane is not optimistic that this problem will be resolved in Germany.The book also includes many descriptions of the artwork stolen by the Nazis and the artists they persecuted, with a particular focus on Georg Grosz It was affecting to read in detail about exactly how tormented Grosz was by Nazi Germany, even though he fled to the US before the war.You will want to have your computer at hand as you read the book, so that you can look at images of the many artworks described.


  13. Book Club Member Book Club Member says:

    To say that this book is meticulously researched would be an understatement In Hitler s Last Hostages Looted Art and the Soul of the Third Reich, author Mary M Lane painstakingly reveals the events leading up to the 2013 discovery of a literal treasure trove of stolen art, stashed away by the grandson of one of Hitler s art dealers Ms Lane is a Fulbright Scholar who focuses on anti Semitism and Western European history This book would best be enjoyed by readers with a background or a particular interest in art and art history Novices may find the book too technical for a casual interest One suggestion I have for readers is to read the timeline near the back of the book that begins in 1867 when Jewish Viennese citizens were granted equal rights and ends with the return of one of two significant pieces of art to a descendant of its rightful owner Reading the timeline first will help put the events in perspective Ms Lane informs readers of the very political nature of art in the 1930s My pre knowledge of Hitler was somewhat limited to acknowledging him as the murderous madman who brought the world to the brink of disaster I knew of his megalomania and infamous extermination camps That he had studied art was news to me it seemed incongruous Indeed, among his twisted ambitions was to build a Fuhermuseum, with art divided into Aryan art and degenerate art, therefore he could steal any and all for future display Among his co conspirators were his art dealers in other words, thieves This book highlights the art dealer Hildebrand Gurlitt, who died in 1956, and his heir Cornelius Gurlitt, who was discovered in 2013 to be in possession of the ill gotten gains How disappointing it was to learn that Cornelius Gurlitt could be charged only with tax evasion and that he was able to pass the invaluable items on albeit to a Swiss museum in his will I salute Ms Lane for bringing this knowledge forward in a format that can serve as another stark reminder of what happens when unbridled nationalism runs amok It can affect every aspect of life, even the definition of art.


  14. N. B. Kennedy N. B. Kennedy says:

    In Hitler s Last Hostages, Mary M Lane has exhaustively researched the means by which Hitler s Third Reich looted artwork from museums and from Jewish families, whom he then sent to the gas chambers His theft was facilitated by Hildebrand Gurlitt, who rounded up the art for Hitler s proposed Fuhrermuseum, whose life the author follows In the next generation of the Gurlitts, Hildebrand s son, Cornelius, is found to be hoarding hundreds of looted artworks, which he refuses to repatriate to the rightful owners, even when the provenance is clear.The story of the artwork is fascinating the reader hears of paintings by famous artists such as Matisse, Van Gogh and Monet and those of lesser known artists at least to me such as Pechstein, Grosz and Nolde Not only were they looted by Hitler, but the Third Reich then went on to resell some of the stolen paintings in order to finance the Fuhrermuseum.The author brings the reader into the present time, when she discovers through her reporting that the German government is still balking about returning looted artwork to the descendants of Holocaust victims By refusing to change laws to accommodate the transfers, the government is blocking efforts to repatriate the property through its inaction.I was all in for the read at the beginning and in the final third of the book However, the narrative flags in the middle when the author spends too much time with one artist, George Grosz, and his life and work To me, it reads as if the author dropped in a thesis from her college days to fill out the book If so, it was unnecessary and distracting, as the story of the looted artwork is strong enough to stand on its own.


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